You are browsing the archive for Fine Art.

Memes 101 for Classical Musicians

Here’s a pop culture lesson for classical musicians: Memes 101

A “meme” is a social trend that gets perpetuated, usually by imitation.  In the past, mass media has been the most effective way of perpetuating memes.  These days, however, social media has sped up the meme perpetuation process exponentially!

Anyone who uses social media sites such as Facebook and Twitter has likely seen an image like this one that I created:

Opera Singer Meme

Opera Singer Meme by Mimi West, Founder, My Dream Teacher

You’ve seen them.  You might have even made your own version to amuse your friends.  But how did this trend get started?

The Original “What I Do, What People Think I Do” Meme

Back in February, Garnet Hertz posted the following image, entitled “Contemporary Artist”.

Garnet Hertz Meme Contemporary Artist

Garnet Hertz Meme: "Contemporary Artist"

Here Garnet capitalizes on popular misconceptions of what a contemporary artist does.  The image is effective because it plays on the viewer’s expectations and past experience.  For instance, I’m sure you’ve heard someone poke fun at a modern art piece, saying, “My four-year-old could have painted that!”

People thought this was so funny that they shared it with their friends.  It wasn’t long before people started making their own versions and posting them on social media sites.

Explanation of the “Opera Singer” Meme

To opera singers, the meme I created is self-explanatory.  But for the benefit of our non-opera singing readers, I shall let you in on our little inside jokes.

What my mom thinks I do.  Naturally, the most apparent aspect of opera is the polished performance. Many an opera singer has dreamed of being on stage in a fancy costume, singing the title role and finishing to thunderous applause.  On the surface, it’s nothing more than playing dress-up for a living.  What is not so apparent is all the hard work that goes into making it there.

In reality, most mothers do know the hard work that goes into the finished product.  They have paid for their children’s many years of music lessons.  They have driven their kids to auditions and grueling rehearsals.  Yet as the opera singer becomes an adult, parents often forget these harder times.  In fact, whenever I’m not doing a show, my mother asks me why.  Sometimes I have to remind her that being in an opera is a lot more than just playing dress-up–though that is one of the best perks about it!

What society thinks I do.  Since opera is not a mainstream form of entertainment, we opera singers may never be able to live down the “fat” opera singer stereotype that permeates pop culture.  The saying, “It ain’t over ’till the fat lady sings,”  is so deeply entrenched in movies and TV shows that it has become a meme in itself!

What I think I do.  In order to pull yourself through the hard times, you have to believe in yourself and what you do.  As such, many successful opera singers are just a little conceited.  I had to have fun with this notion that the opera singer is so in love with herself that she believes everyone else is, too!

What I actually do.  Teaching is the bread and butter for most musicians.  Most performers teach at some point in order to pay the bills.  For many opera singers, this is the daily routine, whereas the glamorous costumes, exciting stage roles, and flashy productions are few and far between.

What I’d like to do.  A shining concert hall full of raving fans.  Need I say more?

What I refuse to do.  This part of the meme throws a jovial punch at those who still believe that The Phantom of the Opera is an opera.  To dispel doubt once and for all: Phantom of the Opera is a work of musical theater, not opera!!!  It annoys many opera singers to have their friends ask, “Oh, so you sing opera.  Can you sing Phantom of the Opera?”  The answer for many of these frustrated individuals is: “Yes, of course I can–but I WON’T!”

Don’t get me wrong: the music of Phantom of the Opera is beautiful and actually does compel the interest of many opera singers.  However I just had to throw it out there to help many opera singers laugh off their continued frustration over this misconception that has only gotten worse since the Gerard Butler movie came out.

In many cases, explaining a joke takes the punch out of it.  In this case, however, I take occasion to present another cultural lesson for non-opera singers.

Classical Doesn’t Mean “Stuffy”! How Pops Orchestras Keep Music Fun

Classical Music Isn't Always Serious

Far from stuffy, Pops Orchestras appeal to a vast audience as they showcase light classics.

For many people, classical music is the gold standard for serious artistry.  However, many non-musicians assume that all classical music is always serious.  On the contrary, classical music is much more versatile than that!  It is fun, humorous, witty, and even irreverent when it wants to be.

Pops orchestras keep the fun alive by playing lighter classics and popular songs.  Their performances elicit laughter and produce memories for the whole family.  There may be one or more in your state.  Some popular orchestras include:

  • Arizona has the Tucson Pops Orchestra
  • California has the Golden State Pops Orchestra in LA, the Pasadena Pops and San Francisco Pops
  • Florida has two: the Palm Beach and the Panama City Pops Orchestras
  • Massachusetts has the Boston Pops Orchestra
  • Minnesota has the Minneapolis Pops Orchestra
  • New York’s got the New York Pops Orchestra
  • North Carolina has the Carolina Pops Orchestra
  • Ohio has two: the Cincinnati and the Cleveland Pops Orchestras
  • Pennsylvania has the Philly Pops Orchestra

Additionally, some universities have their own pops orchestras, such as the:

    • Harvard Pops Orchestra in Massachusetts
    • University of Michigan Pops Orchestra
    • Davenport Pops Orchestra at Yale University in Connecticut

International pops orchestras include the:

  • De La Salle Pops Orchestra in the Phillipines
  • Twilite Orchestra in Indonesia
  • Queensland Pops Orchestra in Australia

Others include:

  • The Hollywood Bowl Orchestra in California
  • The Indianapolis Symphony Orchestra, which plays both serious and light classical music

It’s reassuring to know that one need not look outside the classical realm for a little light night music.

Heritage Treatment Center Presents the Power of Musical Theater

Heritage School Logo

Heritage School Logo

Some schools merely instruct, but Heritage inspires.  This weekend I took my family and some friends to see Joseph and the Amazing Technicolor Dreamcoat by Heritage Center Stage.  It was charming, cute, and full of heart—but we didn’t just have a good time.  It changed our entire outlook on the world.

Heritage is a residential treatment center for at-risk teens.  Having heard about the school system through friends, I had been eager to check out their facilities for years.  Yet I didn’t know how; you can’t just walk into treatment centers without an invitation.  As soon as a friend offered me tickets to the musical, I invited as many friends as I could to go with me.

From the moment my group and I entered the theater, we knew we were in for a treat.  Nothing excites me more than seeing kids involved in positive activities, and I knew this family-friendly show would be no exception.  We came excited and we left gratified beyond our expectations.

What I didn’t anticipate was that I would cry as soon as the curtain opened.  The narrators entered the stage with little kids, singing together about the story that was about to unfold.  Joseph entered through a floor-born cloud, and as a parent, I just couldn’t restrain the tears.  My teenage friends sitting next to me enjoyed mocking my sappiness.

Thankfully the sentimental tone changed quickly with the more light-hearted song Jacob & Sons.  From then on we danced in our seats, laughing at antics and growing fond of each character.  Since it was closing night, we got to see the master of ceremonies present gifts and publically thank those involved with the production.

After the show, we discussed our favorite aspects, and it quickly became clear that we loved everything about it.  The kids did a fabulous job engaging the audience through singing, acting, and dancing.  Most of the kids had little or no formal training, but the audience immediately latched on to their genuine, dynamic personalities.  The moral support was unanimous.

Evidently, the adults involved in production infused love and expertise into everything.  The costumes were brilliant, the scenery epic, the choreography inventive, and the lighting and sound precise and well-executed.  I found the transitions between scene changes particularly clever.  The orchestra blew me away, and even more so when I discovered it was just one person—Rosanne Abraham—on a keyboard.

On visiting the Heritage school, I knew I would learn something interesting, and maybe even meet some nice people.  I’m pleased to say that I was moved beyond expectation by the production itself and by the warm spirit that resided there.  My Heritage visit will forever stand as a case study of the power of the arts to change people for good.

How to Enjoy an Opera

How to Enjoy an Opera

It takes a bit of work to enjoy an opera, but doing so will change your life in great ways.

Opera going is not like movie going.  Most movie-goers want to know just enough about the plot to be interested in seeing the film.  They don’t want to know too much about how the story unfolds—or how it ends—because it spoils their fun.  Surprise is what makes seeing a movie for the first time delightful.

With opera, quite the opposite is true: the more you know about the story, the more you enjoy the performance.  If you go without knowing what’s going to happen beforehand, you will be too lost and frustrated to realize all the show has to offer.

And what does opera have to offer?  Since its early years, opera has been regarded as the presentation of all the highest arts in one place.  It features poetry, drama, acting, painting, sculpture, elaborate costumes, lavish upholstery, and these days, bleeding edge technology.  Oh yes, and music, too!

Really, opera is nothing short of an artistic smorgasbord.  So do your homework and don’t miss out on all the goodies.

Read the Synopses.  Before attending the show, familiarize yourself with the complexities of the plot.  Once informed, you can focus on the other elements of the show.  Otherwise, your eyes will be fixed on the supertitles rather than the stage.  If you already know what’s happening, you can actually listen to the music, admire the scenery, and bask in the holistic theater experience.

Get some historical background.  While not essential to enjoying the opera on a basic level, you are guaranteed to appreciate the show much more with historical context.  When does the opera take place?  What is the historic backdrop of the plot?  What was going on in the composer’s country of residence the year he wrote this opera?  Verdi, Puccini, and Wagner were especially nationalistic composers.  As such, their operas often have intriguing political undertones that were controversial at the time.

Listen to recordings.  Figure out what famous songs you should listen for.  Each opera has at least one classic aria or orchestra bit that made it so famous.  Watch several versions on YouTube and you’ll be so thrilled when you hear it during the live performance.  You’ll get swept up in the excitement of the opera experience.  You’ll finally understand why those fanatics in the box seats scream “Brava!” at the end of each aria, clapping and nearly thrusting themselves off the balcony.

Learn something about this interpretation.  If possible, read about the version you are going to see.  What are the director’s dramatic choices?  Is the show in a traditional or a modern setting?  What was the most costly part about putting this show together?  What technical difficulties did they have to get around?  All these facts will sharpen your eyes and deepen your appreciation for what is being presented.  They might even keep you from feelings of confusion or outrage at the interpretive decisions.

Watch another version.  You really start to appreciate opera when you watch different versions of the same show.  While exposing yourself to so many different interpretations of the same music and plots, you’ll even start to form your own opinions about how directors really “should” bring the story to life, and how each aria really “should” be sung.  You’ll become an opera snob before you know it!

Seeing an opera is fun, but it’s even more enjoyable to bring friends to the show.  I like to discuss the opera with my friends afterward.  They often notice things I didn’t.  When they share their thoughts with me, I really feel like I got my money’s worth.  Once you convert your friends to this way of seeing an opera, you’ll all become fanatics in no time.

The Mahler Effect

The Mahler Effect

Gustav Mahler Conducts the Vienna Philharmonic, by by Max Oppenheimer, 1935

I was so moved the first time I saw Gustav Mahler Conducts the Vienna Philharmonic at the Belvedere in Vienna, Austria.  It may not look extraordinary in a pixilated rendering, but its life-size original is breathtaking. 

The mark of a great painting is its appeal to more senses than just sight.  In this painting, not only can you see the wind blowing through everybody’s hair; you feel it.  Though non-existent, you become convinced that there’s an actual breeze in the room.  This effect blurs the separation between the artwork in front of you and your reality on the other side of it.  You are transported from your world into Max Oppenheimer’s fantasy.  It thrills and frightens you at the same time.

As you analyze the windy effect of this painting, a riddle emerges.  The Golden Hall doesn’t have windows, so . . . aha!  The epiphany appears.  It’s not a literal gust of wind that Oppenheimer paints so eloquently.  It’s the unearthly whirlwind of passion that sweeps up each orchestra member—and you, the viewer.  It’s rather Pentecostal in nature.  The solemnity of said passion is expressed in everybody’s prayer-like closed eyes and bowed heads.

One would think this painting has inspired so many orchestra members around the world to grow their hair out–as indeed, many have.  What is more becoming of a musician than a swooshy, aerodynamic hairstyle?  As a violinist sways with each bow stroke, his hair punctuates each movement.  What a brilliant way to get the audience more visually involved in the performance!

Few paintings capture the dynamic movement of orchestral music as well as this masterpiece does.   The wind effect is largely to credit for this.  The brush strokes themselves are lively and add to the sense of mobility.  The timpani player’s multiple mallet heads clearly illustrate a rapid drum roll.

Max’s decision to squish everybody together helps, too.  Each player’s individuality becomes irrelevant as they perform, move and breathe as one musical organism.  Mahler is the nucleus, the DNA code, the brain and heart, the mastermind.  Every line in the painting points directly to him, as he’s placed conveniently at the center of all activity.

Despite the sheer amazingness of this aesthetic gem, hardly anyone has heard of it outside of Vienna.  I couldn’t find any historical information on the painting online, and a search through print materials was equally hapless.  Perhaps I was wise to forgo my original dissertation idea in college.  I wanted to explore how artistic portrayals of Gustav Mahler reflected European ideologies of the time.  Due to the lack of reliable information, I abandoned the project.  I hope one of these days some more daring student will pick up where I left off.